Education
Wael Darweish is an Egyptian painter, video, and installation artist whose paintings are primarily concerned with human movement and the quest for freedom. His portfolio of works consists of technical studies of modern society in all its forms — cultural, social, economic, and their impacts on the modern man.
In his mixed media works and installations, Darweish applies assemblages to create sculptural forms that transcend those of two-dimensionality, through which he studies and experiments with his use of collage: combining colour, calligraphy, textile, and various textural media. He experiments in these with the aim to explore issues of gender, independence, freedom, space, and the passing of time. Apart from this, he also aims to prove several phenomenons that constitute his own obsessions, such as; subjugation, liberty, and the constraints of time. He is deeply interested in how these themes could potentially relate to the subject matters which he employs in his own works, including elements of migration, gender, and identity amongst other themes that attract other Egyptian artists of his generation.
In the past few years, Darweish has been particularly interested in changing his perceptions, due to the state of continuous social metamorphosis that Egypt, an African and Middle Eastern country colonised and liberated, has witnessed in the last three decades.
His recent painting projects have been inspired by American colour field paintings and French lyrical abstraction, in which large ‘fields’ of flat solid colours harmoniously colonise large areas of the canvas to create a homogenous surface of flat planes. In these works, he stresses on the overall consistency of form over the brush movement and brushstrokes. Contrary to standard colour field paintings and lyrical abstractions, he has successfully combined the two opposing abstraction styles with elements of figuration and cognitive representation.
Darweish’s 2010 pieces show an effective use of his cumulative experience as a painter as well as an interdisciplinary artist, by creating canvases that utilise photography as a base for his paintbrush, stripping the image of its background. Throughout this process, he creates and narrates an alternative reality for the figures that occupy the original photograph. The streets of Cairo are present in these works, which represent contemporary Middle Eastern urban cities — ordinary citizens who dwell in streets and alleyways alongside soldiers and traffic policemen. Every photographed or painted figure plays a different role, interacting with each other in an almost hyperrealistic universe. Darweish’s fundamental aim is to push the limits of ordinary painting by exploring what photography can add to the canvas: frozen reality and depth of field.
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